Unbalancing Acts: Plagiarism as Catalyst for Instructor Emotion in the Composition Classroom, Ann E. Biswas
Ann E. Biswas

Freedom is a Good Book and a Sugar High, Meredith Doench
Meredith Doench

Meir b. Elijah of Norwich and the Margins of Memory, Miriamne Ara Krummel
Miriamne Ara Krummel

Review: 'Gendering Disgust in Medieval Religious Polemic', Miriamne Ara Krummel
Miriamne Ara Krummel

Globalizing Jewish Communities: Mapping a Jewish Geography in Fragment VII of 'The Canterbury Tales', Miriamne Ara Krummel
Miriamne Ara Krummel

Staging Encounters: The Touch of the Medieval Other, Miriamne Ara Krummel
Miriamne Ara Krummel

Familiar Strangers: International Students in the U.S. Composition Course, Elena Lawrick, Fatima Esseili
Fatima Esseili

Familiar Strangers: International Students in the U.S. Composition Course, Elena Lawrick, Fatima Esseili
Fatima Esseili

Jewish Culture and Literature in England, Miriamne Ara Krummel
Miriamne Ara Krummel

When Emotion Stands to Reason: A Phenomenological Study of Composition Instructors’ Emotional Responses to Plagiarism, Ann E. Biswas
Ann E. Biswas

Review of Kathleen Hall Jamieson's 'Beyond the Double Bind: Women and Leadership', Susan Trollinger
Susan L. Trollinger

Rhetoric, Possibility, and Women's Status in Ancient Athens: Gorgias' and Isocrates' Encomiums of Helen, Susan Trollinger
Susan L. Trollinger

Rhetorical Discourse and the Constitution of the Subject: Prodicus' 'The Choice of Heracles', Susan Trollinger
Susan L. Trollinger

Engaging Readers and Writers in Adult Education Contexts, Nancy Padak, Bryan Bardine
Bryan Bardine

Beyond the Red Pen: Clarifying Our Role in the Response Process, Bryan Bardine, Molly Bardine, Elizabeth Deegan
Bryan Bardine

Reflective Revision: The Effects of Reflective Memos on Students’ Revision Strategies, Bryan Bardine, Anthony Fulton
Bryan Bardine

Hermann Hesse’s 'Siddhartha' as Divine Comedy, Bryan Bardine
Bryan Bardine

Reconstructing How We Respond to Student Writers: An An Exploratory Study, Bryan Bardine
Bryan Bardine

Students’ Perceptions of Written Teacher Comments: What Do They Say About How We Respond to Them?, Bryan Bardine
Bryan Bardine

Responding to Students’ Writing: A Research Review and Suggestions for ABE and GED Teachers, Bryan Bardine
Bryan Bardine

Training Graduate Assistants, Bryan Bardine
Bryan Bardine

Using Pre-instruction Questionnaires to Improve the Small Group Writing Class, Bryan Bardine
Bryan Bardine

Using Writing Journals with Adult Literacy Students Some Options, Bryan Bardine
Bryan Bardine

English Language Literacy and the Prediction of Academic Success in and beyond the Pathway Program, Jennifer Haan, Karyn E. Mallett
English Faculty Publications

Remake as Erasure in 'The Texas Chainsaw Massacre', Andrew Slade
Andrew R. Slade

Violence and Beauty: Jacques Lacan's 'Antigone', Andrew Slade
Andrew R. Slade

To Live Like Fighting Cocks: 'Fight Club' and the Ethics of Masculinity, Andrew Slade
Andrew R. Slade

The Possibilities and Pitfalls in Teaching Sherman Alexie’s 'The Absolutely True Diary of a Part-Time Indian', Tereza M. Szeghi
Tereza M. Szeghi

'The Injin is civilized and aint extinct no more than a rabbit': Transformation and Transnationalism in Alexander Posey’s 'Fus Fixico Letters, Tereza M. Szeghi
Tereza M. Szeghi

Weaving Transnational Identity: Travel and Diaspora in Sandra Cisneros’s 'Caramelo', Tereza M. Szeghi
Tereza M. Szeghi

With 'cheekbones and noses like eagles and hawks': Indigeneity and Mestizaje in Ana Castillo’s 'The Mixquiahuala Letters' and Leslie Marmon Silko’s 'Almanac of the Dead', Tereza Szeghi
Tereza M. Szeghi

Scientific Racism and Masculine Recuperation: Charles Lummis and the Search for 'Home', Tereza M. Szeghi
Tereza M. Szeghi

The Vanishing Mexicana/o: (Dis)Locating the Native in Ruiz de Burton’s 'Who Would Have Thought It?' and 'The Squatter and the Don', Tereza M. Szeghi
Tereza M. Szeghi

Lyotard, Beckett, Duras, and the Postmodern Sublime, Andrew Slade
Andrew R. Slade

On Mutilation: The Sublime Body of Chuck Palahniuk's Fiction, Andrew Slade
Andrew R. Slade

Hiroshima, 'mon amour,' Trauma, and the Sublime, Andrew Slade
Andrew R. Slade

Mixing Mourning and Desire: Alfonso Cuarón's 'Y Tu Mamá También', Andrew Slade
Andrew R. Slade

Invisible Monsters and Palahniuk's Perverse Sublime, Andrew Slade
Andrew R. Slade

Differend, Sexual Difference, and the Sublime, Andrew Slade
Andrew R. Slade

This I Believe: The Do-Over, Meredith Doench
Meredith Doench

The City as Refuge: Constructing Urban Blackness in Paul Laurence Dunbar’s 'The Sport of the Gods' and James Weldon Johnson’s 'Autobiography of an Ex-Colored Man.', Thomas Lewis Morgan
Thomas Morgan

Inverting the Haiku Moment: Alienation, Objectification, and Mobility in Richard Wright’s ‘Haiku: This Other World’, Thomas Lewis Morgan
Thomas Morgan

Criticizing Local Color: Innovative Conformity in Kate Chopin’s Short Fiction, Thomas Lewis Morgan
Thomas Morgan

Speculation and the Emotional Economy of 'Mansfield Park', Laura Vorachek
Laura Vorachek

Crossing Boundaries: Land and Sea in Jane Austen's 'Persuasion', Laura Vorachek
Laura Vorachek

Reading Music: Representing Female Performance in Nineteenth-century British Piano Method Books and Novels, Laura Vorachek
Laura Vorachek

Intertextuality and Ideology: Jane Austen's 'Pride and Prejudice' and James Fordyce's 'Sermons to Young Women', Laura Vorachek
Laura Vorachek

Mesmerists and Other Meddlers: Social Darwinism, Degeneration, and Eugenics in 'Trilby', Laura Vorachek
Laura Vorachek

Dangerous Women: Vera Caspary’s Rewriting of 'Lady Audley’s Secret' in 'Bedelia', Laura Vorachek
Laura Vorachek

Whitewashing Blackface Minstrelsy in Nineteenth-Century England: Female Banjo Players in 'Punch', Laura Vorachek
Laura Vorachek

Rebellion in the Metropolis: George Gissing's New Woman Musician, Laura Vorachek
Laura Vorachek

Essay Writing Instructional Lexicon and Semantic Confusion, Amir Kalan
English Faculty Publications

Inverting the Haiku Moment: Alienation, Objectification, and Mobility in Richard Wright’s ‘Haiku: This Other World’, Thomas Lewis Morgan
English Faculty Publications

Reading Music: Representing Female Performance in Nineteenth-century British Piano Method Books and Novels, Laura Vorachek
English Faculty Publications

Meir b. Elijah of Norwich and the Margins of Memory, Miriamne Ara Krummel
English Faculty Publications

Mesmerists and Other Meddlers: Social Darwinism, Degeneration, and Eugenics in 'Trilby', Laura Vorachek
English Faculty Publications

Globalizing Jewish Communities: Mapping a Jewish Geography in Fragment VII of 'The Canterbury Tales', Miriamne Ara Krummel
English Faculty Publications

Rebellion in the Metropolis: George Gissing's New Woman Musician, Laura Vorachek
English Faculty Publications

Crossing Boundaries: Land and Sea in Jane Austen's 'Persuasion', Laura Vorachek
English Faculty Publications