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  Trisagi Marià

  Joan Lambert

  A Marian version of a Trisagion hymn. The work is broken into eight parts: "Pare Nostre," the first half of the Lord's Prayer (Our Father); "Deu Vos Salve," the first half of the Hail Mary prayer; "Gloria," the first half of the Glory Be prayer; "Santa," a prayer to Mary; "El Nostre Pa," the second half of the Lord's Prayer; "Santa Maria," the second half of the Hail Mary; "Sicut Erat," the second half of the Glory Be; and "Glòria a Maria," a final prayer to Mary. This sheet music is for two voices with an organ or harmonium accompaniment.

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  Trissagi a la Stma. Verge

  Joan Lambert

  A Marian version of a Trisagion hymn. The work is broken into eight parts: "Pare Nostre," the first half of the Lord's Prayer (Our Father); "Deu Vos Salve," the first half of the Hail Mary prayer; "Gloria," the first half of the Glory Be prayer; "Santa," a prayer to Mary; "El Nostre Pa," the second half of the Lord's Prayer; "Santa Maria," the second half of the Hail Mary; "Sicut Erat," the second half of the Glory Be; and "Glòria a Maria," a final prayer to Mary. This sheet music is for three voices with an organ or harmonium accompaniment.

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  Vier Marienlieder

  Max Reger

  A collection of four Marian hymns by max Reger, arranged for two voice parts (soprano and alto or tenor and bass) with organ accompaniment. This work contains a conductor's copy with all voice and instrumental parts, and separate copies for the soprano/tenor and alto/bass voice parts without accompaniment.

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  Virgini Immaculatae

  Ignaz Mitterer

  Ignaz Mitterer's opus 122, a hymn in honor of the fiftieth anniversary of the papal bull Ineffabilis Deus, which defined the dogma of the Immaculate Conception of Mary. This song is written for a mixed chorus (soprano, alto, tenor, and bass voice parts), with orchestra (oboe, bassoon, French horn, trumpet, trombone, violin, viola, cello, and bass parts).

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  Wir Grüssen Dich Heute (To Mary Queen of the Angels)

  Friedrich Koenen

  A hymn for four voice parts (two sopranos and two altos) by Friedrich Koenen in honor of the Virgin Mary. This hymn appears to have been removed from an issue of The Caecilia: Magazine of Catholic Church and School Music from around the turn of the century.

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  Wunderschön Prächtige (Maiden of Thee We Sing)

  Friedrich Koenen

  A hymn for four voice parts (two sopranos and two altos) by Friedrich Koenen in honor of the Virgin Mary. This hymn appears to have been removed from an issue of The Caecilia: Magazine of Catholic Church and School Music from around the turn of the century.