Marian Sheet Music

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Of All Virgins, Thou Art Fairest

P. Piel

Hymn "Of All Virgins, Thou Art Fairest" by P. Piel for two part choir with piano accompaniment. This song was removed from an unknown hymnal or magazine.
Oh Mare de Déu

Joan Lambert and J. Puntí

A Catalonian hymn to Mary whose title translates to "Oh Mother of God." This sheet music is for a unison chorus with soloist and organ or harmonium accompaniment. The music was composed by Joan B. Lambert, and the lyrics are by J. Puntí.
Our Lady of the Pillar

Robert Holzmer

A hymn for four voice parts dedicated to Our Lady of the Pillar, the name given to Mary for her apparition in Zaragoza, Spain in the first century. This hymn was written by Brother Robert Holzmer, S.M., at Mt. St. John, the Marianists' home in Dayton, Ohio. Our Lady of the Pillar holds special significance for the Society of Mary, as Blessed William Joseph Chaminade was residing in exile near the shrine in her honor when he received a message from the Virgin Mary to start the religious order that would become the Marianists.
O Verge I Mare de Déu

Lluís Corominas

"O Verge I Mare de Déu" (O Virgin Mother of God) by Father Lluís Romeu for solo voice with organ or harmonium accompaniment.
Plegaria a la Sma. Virgen

Antonio González

Spanish hymn to the Blessed Virgin Mary written for four voice parts (two tenors, one baritone, one bass).
Regina Coeli

Dutch arrangement of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church.
Regina Coeli

Robert Holzmer

An arrangement for four voice parts of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church. This hymn was either composed or transcribed by Brother Robert Holzmer, S.M., at Mount St. John, the Marianists' home in Dayton, Ohio.
Regina Coeli

Charlemagne Loisel

Arrangement of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church. Arranged for four voice parts (soprano, two tenors, and bass) with piano or organ accompaniment. The seventh piece in a series of twelve motets to the Blessed Virgin Mary.
Regina Coeli

Melchiorre Mauro-Cottone

Arrangement of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church, for solo voice and two-part chorus with organ accompaniment. This song was dedicated to Eduardo Marzo by the composer.
Reine du Ciel: Alleluia!

Edmond Missa

A French hymn honoring Mary as "Queen of Heaven" by Edmond Missa. Included as part of a supplement in the May 1911 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.
Rosarium Marianum: Salutatio Angelica no. 1-5

J.A.S. van Schaik

Songs 1 through 5 in J.A.S. van Schaik's "Rosarium Marianum." The lyrics to each song come from the Latin text of the "Hail Mary" prayer. Songs 1, 2, and 4 are arranged for tenor and bass voice parts with organ accompaniment; songs 3 and 5 are arranged for soprano and alto voice parts with organ accompaniment. The sheet music for songs 6-10 can also be found in this digital collection.
Rosarium Marianum: Salutatio Angelica no. 6-10

J.A.S. van Schaik

Songs 6 through 10 in J.A.S. van Schaik's "Rosarium Marianum." The lyrics to each song come from the Latin text of the "Hail Mary" prayer. Song 6 is arranged for soprano and alto voice parts, accompanied by organ; song 7 is arranged for tenor and bass voice parts accompanied by organ; songs 8 and 10 are arranged for tenor and bass voice parts, unaccompanied; and song 9 is arranged for soprano and alto voice parts, unaccompanied. The sheet music for songs 1-5 can also be found in this digital collection.
Salve Regina

Giovanni Pergolesi

Arrangement of Giovanni Battista Pergolesi's "Salve Regina" for solo voice, accompanied by two violins, viola, and harpischord.
Salve Regina

P. Piel

Hymn "Salve Regina" by P. Piel for two part choir with piano accompaniment. This song was removed from an unknown hymnal or magazine.
Salve Regina

Fritz Volbach

The second part of Fritz Volbach's Raphael suite, "Salve Regina" is arranged for a four-part female chorus (two soprano parts and two alto parts) with piano or organ accompaniment. The Raphael suite is a set of three pieces inspired by paintings of the Virgin Mary by the Renaissance artist Raphael: the Madonna of Foligno, the Madonna del Granduca, and the Sistine Madonna.
Sancta Maria

Jean-Baptiste Faure and J. Bertrand

French Marian hymn by Jean-Baptiste Faure with lyrics by J. Bertrand, dedicated to Marie-Henriette, Queen Consort of the Belgians. This edition is arranged for a solo soprano or tenor voice with piano accompaniment.
Sieroty Zebrane: Pieśń do Najświętszej Maryi Panny

"Sieroty Zebrane: Pieśń do Najświętszej Maryi Panny," which loosely translates to "Gather Orphans: Song of the Blessed Virgin Mary," is an uncredited Polish hymn praying for Mary's intercession. This sheet music is for an unaccompanied voice.
Stabat Mater

Giovanni da Palestrina and Alexandre Choron

Arrangement of Giovanni Pierluigi da Palestrina's "Stabat Mater" for a double chorus of mixed voices (soprano, alto, tenor, and bass). The song was arranged by Alexandre Choron.
Stabat Mater

Giovanni da Palestrina and Richard Wagner

Arrangement of Giovanni Pierluigi da Palestrina's "Stabat Mater" for a double chorus of mixed voices (soprano, alto, tenor, and bass), with a German translation of the Latin lyrics. The song was arranged by Richard Wagner.
Stabat Mater

Giovanni da Palestrina and Richard Wagner

Arrangement of Giovanni Pierluigi da Palestrina's "Stabat Mater" for a double chorus of mixed voices (soprano, alto, tenor, and bass). The song was arranged by Richard Wagner.
Stabat Mater

Peter Griesbacher

Peter Griesbacher's opus 208, "Stabat Mater," arranged for solo voice with organ accompaniment.
Stabat Mater

Giovanni Pergolesi

Giovanni Battista's Pergolesi's "Stabat Mater," or the Sorrows of Mary, for a two-part women's chorus (soprano and alto parts) with piano accompaniment.
Stabat Mater

Giovanni Pergolesi

Giovanni Battista's Pergolesi's "Stabat Mater," or the Sorrows of Mary, for voice with unidentified accompaniment (likely for organ or piano).
Stabat Mater

Giovanni Pergolesi and Richard Heuberger

Giovanni Battista's Pergolesi's "Stabat Mater," or the Sorrows of Mary, for a two-part women's chorus (soprano and alto parts) with piano accompaniment.
Stabat Mater

Josef Rheinberger and E.J. Bidermann

Joseph Rheinberger's opus 138, a version of the "Stabat Mater" hymn for a four part chorus (soprano, alto, tenor, and bass) with organ accompaniment. This edition was arranged by Edward Julius Biedermann, with an English translation of the Latin lyrics.
Stella Cœli

Joseph, Jr. Renner

Joseph Renner's opus 75, a version of the "Stella Coeli" hymn for a four part chorus (soprano, alto, tenor, and bass), unaccompanied.
Sur l'alma redemptoris: Paraphrase de l'antienne liturgique

Charles Bordes and Pierre Lhande

A French arrangement for solo voice of the Alma Redemptoris Mater, one of the Marian antiphons sung during night prayers (Compline). The music was composed by Charles Bordes and the lyrics were written by Pierre Lhande. Included as part of a supplement in the May 1911 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.
Sur le Regina Cœli: Paraphrase de l'antienne liturgique

Charles Bordes and l'abbé Picard

A French arrangement for solo voice of the Regina Cœli, one of the Marian antiphons sung during night prayers (Compline). The music was composed by Charles Bordes and the lyrics are based on a poem by l'abbé Picard. Included as part of a supplement in the May 1911 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.
Sur le Salve Regina: Paraphrase de l'antienne liturgique

Charles Bordes and Pierre Lhande

A French arrangement for solo voice of the Salve Regina, one of the Marian antiphons sung during night prayers (Compline). The music was composed by Charles Bordes and the lyrics were written by Pierre Lhande. Included as part of a supplement in the May 1911 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.
Te Souvient-il?

Charles Collin

A song from the "Souvenirs du Pensionnat Collection de Chants" by Charles Collin. A duet for two voices with piano accompaniment about a stormy night at sea where the Virgin Mary interceded for the protection of the sailors who prayed to her.
The Cradle of Christ (Stabat Mater Speciosa): A Canticle for Christmas

Sir John Bridge, Jacopone da Todi, and John Neal

Arrangement for four-part chorus and piano of Sir John Frederick Bridge's "The Cradle of Christ." The lyrics are taken from a thirteenth century Latin hymn by Jacopone da Todi, translated in 1866 by Rev. Dr. John Mason Neale. The work was composed for the 1894 Hereford Musical Festival, and was dedicated to Rev. George Prothero, the Sub-dean of Westminster Abbey. This arrangement is for a four-part chorus of soprano, alto, tenor, and bass voice parts, with soprano and baritone solos.
The Rosary

Ethelbert Nevin and Robert Rogers

Arrangement for soprano or tenor soloist with mixed chorus (soprano, alto, tenor, and bass voice parts) and piano accompaniment of Ethelbert Nevin's popular hymn "The Rosary." The lyrics were written by Robert Cameron Rogers, and the song premiered in 1898. By 1928 it had sold over 2.6 million copies, making it one of the best selling pieces of sheet music of the period.
The Rosary (Le Chapelet, Der Rosenkranz)

Ethelbert Nevin, Robert Rogers, Theodore Baker, and Isadore Martinez

Arrangement for solo mezzo-soprano or baritone voice with piano accompaniment of Ethelbert Nevin's popular hymn "The Rosary," with French and German translations of the lyrics. The lyrics were written by Robert Cameron Rogers, with the French translation by Isadore Martinez and German translation by Theodore Baker. The song premiered in 1898. By 1928 it had sold over 2.6 million copies, making it one of the best selling pieces of sheet music of the period.
The Rosary (Le Rosaire, Der Rosenkranz)

Ethelbert Nevin, Robert Rogers, Carl Engel, and C. Eschig

Arrangement for solo mezzo-soprano or baritone voice with piano accompaniment of Ethelbert Nevin's popular hymn "The Rosary," with French and German translations of the lyrics. The lyrics were written by Robert Cameron Rogers, with the French translation by C. Eschig and German translation by Carl Engel. The song premiered in 1898. By 1928 it had sold over 2.6 million copies, making it one of the best selling pieces of sheet music of the period.
Totus Tuus Ego Sum

George Ennis and William Peffley

A hymn composed by George Ennis for the Legion of Mary, for solo voice with piano accompaniment and guitar tabs. This edition was translated into English by William Peffley.

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