Faculty in the Department of Global Languages and Cultures are committed to quality teaching toward intercultural competence and language proficiency or mastery. They also conduct research in language learning, human rights, international arts and culture, language-learning technologies, and international literature.
This collection reflects a sampling of the scholarly work produced by faculty in the department.
Submissions from 2022
Espectros subversivos y miedos neoliberales en La llorona de Jayro Bustamante, Carlos Gardeazábal Bravo
Humanitarismo literario y migración forzada: un estudio de Las tierras arrasadas de Emiliano Monge, Carlos Gardeazábal Bravo
Introduction: Human Rights Subjects, Microhistories, and Assemblages in Colombian Cultural Production, Carlos Gardeazábal Bravo
Towards Emancipatory Human Rights Narratives, Carlos Gardeazábal Bravo
Violencia, memoria y empatía reflexiva en El ruido de las cosas al caer de Juan Gabriel Vásquez, Carlos Gardeazábal Bravo
Human Rights in Colombian Literature and Cultural Production, Carlos Gardeazábal Bravo and Kevin G. Guerrieri
Editor's Note: Vol. 19 Núm. 36 (2022): Humanitarismo, Carlos Gardeazábal Bravo, Jorge Iván Bonilla Vélez, and Luis Restrepo Fernando Restrepo
Submissions from 2019
Violence, Slow and Explosive: Spectrality, Landscape, and Trauma in Evelio Rosero’s Los ejércitos, Carlos Gardeazábal Bravo
Submissions from 2017
Derechos humanos, sujeto liberal y empatía en Los ejércitos, Carlos Gardeazábal Bravo
Derechos humanos y corporeidad en Los ejércitos de Evelio Rosero, Carlos Gardeazábal Bravo
Submissions from 2016
Review: 'Unfinished Business: Screening the Italian Mafia in the New Millennium', Renato Ventura
Submissions from 2015
Una relectura de la violencia en los papeles del infierno de Enrique Buenaventura, Carlos Gardeazábal Bravo
Submissions from 2014
Los papeles del infierno, Enrique Buenaventura, Carlos Gardeazábal Bravo
Submissions from 2012
La disputada autoridad de las academias: Debate lingüístico-ideológico en torno a la Ortografía de 2010, José Del Valle and Laura Villa
