Philosophy Faculty Publications

Document Type

Article

Publication Date

2014

Publication Source

Journal for Peace and Justice Studies

Abstract

One kind of government-supported censorship of the arts targets not the expressive content of any particular artwork but instead seeks to suppress the activity of a group of people based on some feature of the group’s human identity such as race, gender or class. Using examples from the history of the development of black music in the United States that followed from the legal oppression of slavery and from evidence of changes in the Punjabi theater in Pakistan following state-sanctioned suppressions of women, this paper demonstrates that human identity-related arts censorship can actually serve to spur and enhance, rather than suppress, artistic innovation.

Inclusive pages

98-116

ISBN/ISSN

1093-6831

Document Version

Postprint

Comments

The document available for download is the author’s submitted manuscript, provided in compliance with the publisher’s policy on self-archiving.

Some differences may exist between the manuscript and the published version; as such, researchers wishing to quote directly from this resource are advised to consult the version of record.

Permission documentation is on file.

Publisher

Center for Peace and Justice Education, Villanova University

Volume

23

Issue

2

Place of Publication

Villanova, PA

Peer Reviewed

yes

Link to published version

Share

COinS