This collection includes gallery photos and promotional postcards for exhibits presented in the space at ArtStreet known over its existence as Studio D and the White Box Gallery.
ArtStreet opened in 2004 as a unique learning and living arts complex in the heart of the South Student Neighborhood. ArtStreet combines innovative living spaces with multipurpose studio facilities as part of a University initiative to integrate academic and experiential learning with community living. The Studio D Gallery (later renamed the White Box Gallery) was designed to host art exhibits as well as informal performances and events.
The White Box became the place where the curriculum for the Institute of Applied Creativity for Transformation (IACT) at ArtStreet came to life. These 4D (sight, sound, space and emotion) immersive experiences transferred information – in this case, creative theory – into space for the students to absorb and apply.
In 2017, the gallery space became known as the White Box Lab, a creative collaboration space for transdisciplinary learning and humanity-centered design.
In 2021, IACT offices moved to Roesch Library, and the space it occupied in ArtStreet became the Brook Center for Empowerment and Well-Being.
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Installation View: 'Reveal'
Exhibit dates: March 9-April 6, 2017
A collaboration between the Center for International Programs and IACT at ArtStreet, the 12th annual Citizens of the World installation highlights students' experiences of the world through visual and expressive storytelling. Reveal will showcase the diverse moments or experiences University of Dayton students have that represent a turning point in their personal journeys or quest.
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Postcard: 'Reveal'
Exhibit dates: March 9-April 6, 2017
A collaboration between the Center for International Programs and IACT at ArtStreet, the 12th annual Citizens of the World installation highlights students' experiences of the world through visual and expressive storytelling. Reveal will showcase the diverse moments or experiences University of Dayton students have that represent a turning point in their personal journeys or quest.
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Installation View: 'Revive'
Exhibit dates: February 8, 2017
A one-night, holistic labyrinth experience centered on dialogue, movement and momentum toward social action. Led by IACT at ArtStreet and Uplift Physical Theatre.
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Postcard: 'Revive'
Exhibit dates: February 8, 2017
A one-night, holistic labyrinth experience centered on dialogue, movement and momentum toward social action. Led by IACT at ArtStreet and Uplift Physical Theatre.
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Installation View: 'Release'
Exhibit dates: November 1-29, 2016
Exhibit question: When striving through tantrums and struggles, we lose hope, we fail to forgive. Will we celebrate and see the beauty?
Creative lead: Tyler HamiltonArtist statement: When I’m stressed or anxious, I tend to crack my knuckles. Some people bite their nails, some pace back and forth, others go for a drive; but I always crack my knuckles. I’ve done so ever since elementary school whether I was taking a spelling test or waiting to play basketball game. It’s a coping mechanism to get me going on a new activity or a change of pace. In this installation, the viewer is encouraged to crack my knuckles, breaking the finger away from the panel. This act symbolizes overcoming mental obstacles that hold us back. In several of the pieces, the materials are disassociated from their intended purpose. The construction adhesive is used for its texture and aesthetic rather than for gluing and making connection. The plaster, typically used for architectural details, is used for cast body part replicas. The asphalt patch isn’t used to fill potholes, it forms obstacles used to created paths through the installation. The hands and fingers are placed in specific scenarios that show their strength. Whether the hand is spread wide open to span a void or many fingers are used to support a steel door. The body parts represent the strength that people have inside of them to overcome unforeseen obstacles and grasp opportunities.
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Postcard: 'Release'
Exhibit dates: November 1-29, 2016
Exhibit question: When striving through tantrums and struggles, we lose hope, we fail to forgive. Will we celebrate and see the beauty?
Creative lead: Tyler HamiltonArtist statement: When I’m stressed or anxious, I tend to crack my knuckles. Some people bite their nails, some pace back and forth, others go for a drive; but I always crack my knuckles. I’ve done so ever since elementary school whether I was taking a spelling test or waiting to play basketball game. It’s a coping mechanism to get me going on a new activity or a change of pace. In this installation, the viewer is encouraged to crack my knuckles, breaking the finger away from the panel. This act symbolizes overcoming mental obstacles that hold us back. In several of the pieces, the materials are disassociated from their intended purpose. The construction adhesive is used for its texture and aesthetic rather than for gluing and making connection. The plaster, typically used for architectural details, is used for cast body part replicas. The asphalt patch isn’t used to fill potholes, it forms obstacles used to created paths through the installation. The hands and fingers are placed in specific scenarios that show their strength. Whether the hand is spread wide open to span a void or many fingers are used to support a steel door. The body parts represent the strength that people have inside of them to overcome unforeseen obstacles and grasp opportunities.
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Installation View: 'Control'
Exhibit dates: October 4-25, 2016
Exhibit question: Psychological or physical restraint is perceived ... or real? Going somewhere?
Creative lead: Todd RichmanThe inspiration for Control came from the minimalist light installations of James Turrell. In his work the audience experiences a pitch-black room lit by an even fluorescent glow causing, the physiological side effect of a momentary loss of depth perception. Similarly, the goal of this installation is to allow the participant audience to become more aware of their thoughts in flux. As the light sources reflect through the space they diffuse into one another shifting hue, and envelop the room in a sense of calm allowing one to tune into the changes the lights impress upon them individually. In addition to the lighting and audio components the audience is asked to participate in the creation of a painting which acts as a record of the changes in the light being reflected by the mirror array.
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Postcard: 'Control'
Exhibit dates: October 4-25, 2016
Exhibit question: Psychological or physical restraint is perceived ... or real? Going somewhere?
Creative lead: Todd RichmanThe inspiration for Control came from the minimalist light installations of James Turrell. In his work the audience experiences a pitch-black room lit by an even fluorescent glow causing, the physiological side effect of a momentary loss of depth perception. Similarly, the goal of this installation is to allow the participant audience to become more aware of their thoughts in flux. As the light sources reflect through the space they diffuse into one another shifting hue, and envelop the room in a sense of calm allowing one to tune into the changes the lights impress upon them individually. In addition to the lighting and audio components the audience is asked to participate in the creation of a painting which acts as a record of the changes in the light being reflected by the mirror array.
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Installation View: 'Sensationalize'
Exhibit dates: September 6-27, 2016
Creative lead: Kate TepeLife often presents us with what appear to be binary choices. Is it really that simple?
Sensationalize asks viewers how well they think they know themselves, using the idea of binary choice. The work is set up as a four-dimensional playground that is uses a similar visual language to that of a workshop. Viewers are called upon to enter a space set up for the work of self-reflection through a series of decisions, ultimately casted as votes. As more individuals engage in the work, personal consideration turns into the collective reflection of the community; here the personal identities shape the groups and the sparse atmosphere leaves little room for hiding, for the only colored elements in the space, are the reflections of individual decisions. A reflection of who we are as a group built by individual ideology.
There is no specified path for the space. Viewers can begin with the posters or work with the card or dice games. Viewers can play once, or multiple times. The space is activated by individual decision-making and user participation.
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Postcard: 'Sensationalize'
Exhibit dates: September 6-27, 2016
Exhibit question: Life often presents us with what appear to be binary choices. Is it really that simple?
Creative lead: Kate TepeSensationalize asks viewers how well they think they know themselves, using the idea of binary choice. The work is set up as a four-dimensional playground that is uses a similar visual language to that of a workshop. Viewers are called upon to enter a space set up for the work of self-reflection through a series of decisions, ultimately casted as votes. As more individuals engage in the work, personal consideration turns into the collective reflection of the community; here the personal identities shape the groups and the sparse atmosphere leaves little room for hiding, for the only colored elements in the space, are the reflections of individual decisions. A reflection of who we are as a group built by individual ideology.
There is no specified path for the space. Viewers can begin with the posters or work with the card or dice games. Viewers can play once, or multiple times. The space is activated by individual decision-making and user participation.
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Installation View: 'Change'
Exhibit dates: April 20-May 7, 2016
Part 6 of 6, 2015-16 Installation SeriesWhat happens when 70 students from diverse majors come together to think about the challenges embedded in nurturing a sustainable world? It’s Change. With guidance from Michael Bashaw, UD's Visiting Artist for Sustainability Initiatives, students in ArtStreet's IAN II course will creatively apply innovative "solutions" to the collaborative and critical perspectives developed from the themes of the entire 2015-16 IAN Installation Series.
Presented in conjunction with the Stander Symposium; co-sponsored by ArtStreet's Institute for Arts Nexus and the Hanley Sustainability Institute.
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Postcard: 'Change'
Exhibit dates: April 20-May 7, 2016
Part 6 of 6, 2015-16 Installation SeriesWhat happens when 70 students from diverse majors come together to think about the challenges embedded in nurturing a sustainable world? It’s Change. With guidance from Michael Bashaw, UD's Visiting Artist for Sustainability Initiatives, students in ArtStreet's IAN II course will creatively apply innovative "solutions" to the collaborative and critical perspectives developed from the themes of the entire 2015-16 IAN Installation Series.
Presented in conjunction with the Stander Symposium; co-sponsored by ArtStreet's Institute for Arts Nexus and the Hanley Sustainability Institute.
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Installation View: 'Reflection'
Exhibit dates: March 2-April 7, 2016
Part 5 of 6, 2015-16 Installation SeriesA collaboration between the Center for International Programs and ArtStreet, the 11th annual Citizens of the World photography installation highlights students' reflections of the world. Depicting themes ranging from hope and strength to challenge and achievement, Reflection will showcase the diverse experiences that influence, shape and impact University of Dayton students.
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Postcard: 'Reflection'
Exhibit dates: March 2-April 7, 2016
Part 5 of 6, 2015-16 Installation SeriesA collaboration between the Center for International Programs and ArtStreet, the 11th annual Citizens of the World photography installation highlights students' reflections of the world. Depicting themes ranging from hope and strength to challenge and achievement, Reflection will showcase the diverse experiences that influence, shape and impact University of Dayton students.
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Installation View: 'Upheaval'
Exhibit dates: January 21-February 24, 2016
Part 4 of 6, 2015-16 Installation SeriesUpheaval will look at a social and cultural climate that rises from the ashes of Fear by localizing a future vision of change. By mirroring the University of Dayton’s campus climate during the Vietnam era (1965-1975) and tomorrow’s campus climate (2016-2026), this highly charged installation uses storytelling to establish a future campus that not only is influenced by our current national tensions, but also can learn from our past to innovate our future.
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Postcard: 'Upheaval'
Exhibit dates: January 21-February 24, 2016
Part 4 of 6, 2015-16 Installation SeriesUpheaval will look at a social and cultural climate that rises from the ashes of Fear by localizing a future vision of change. By mirroring the University of Dayton’s campus climate during the Vietnam era (1965-1975) and tomorrow’s campus climate (2016-2026), this highly charged installation uses storytelling to establish a future campus that not only is influenced by our current national tensions, but also can learn from our past to innovate our future.
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Installation View: 'Fear'
Exhibit dates: November 10-December 17, 2015
Part 3 of 6, 2015-16 Installation SeriesFear is so absolutely ingrained in our society that it has nearly become an American pastime. News reports, our social media news feeds, even our daily interactions with our fellow citizens are fraught with our visions of the most horrible things that have happened, could happen or may not happen at all. Fear presents an opportunity for us to do battle creatively against one of the most powerful emotions that holds us back from ourselves and from each other.
Creative lead Krista Franklin is an interdisciplinary artist whose work floats between the literary and the visual. Her art draws from the well of African diasporic histories, popular culture, personal narrative, folklore, black spiritualism, ritual and magic, and the psychic interiority of people of color.
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Postcard: 'Fear'
Exhibit dates: November 10-December 17, 2015
Part 3 of 6, 2015-16 Installation SeriesFear is so absolutely ingrained in our society that it has nearly become an American pastime. News reports, our social media news feeds, even our daily interactions with our fellow citizens are fraught with our visions of the most horrible things that have happened, could happen or may not happen at all. Fear presents an opportunity for us to do battle creatively against one of the most powerful emotions that holds us back from ourselves and from each other.
Creative lead Krista Franklin is an interdisciplinary artist whose work floats between the literary and the visual. Her art draws from the well of African diasporic histories, popular culture, personal narrative, folklore, black spiritualism, ritual and magic, and the psychic interiority of people of color.
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Installation View 1: 'Consumption'
Exhibit dates: October 6-November 5, 2015
Part 2 of 6, 2015-16 Installation SeriesWhat do we consume? Why? And what happens when we take too much? Consumption invites us to explore how the process of consumption manifests as action, stemming from the desire of thirst and building to the fear that resources might run out. Creative lead Sean Foster attempts to bridge gaps between commercial and the "fine" arts, incorporating the tenets of mass production and communication through sensory experiences.
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Installation View 2: 'Consumption'
Exhibit dates: October 6-November 5, 2015
Part 2 of 6, 2015-16 Installation SeriesWhat do we consume? Why? And what happens when we take too much? Consumption invites us to explore how the process of consumption manifests as action, stemming from the desire of thirst and building to the fear that resources might run out. Creative lead Sean Foster attempts to bridge gaps between commercial and the "fine" arts, incorporating the tenets of mass production and communication through sensory experiences.
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Postcard: 'Consumption'
Exhibit dates: October 6-November 5, 2015
Part 2 of 6, 2015-16 Installation SeriesWhat do we consume? Why? And what happens when we take too much? Consumption invites us to explore how the process of consumption manifests as action, stemming from the desire of thirst and building to the fear that resources might run out. Creative lead Sean Foster attempts to bridge gaps between commercial and the "fine" arts, incorporating the tenets of mass production and communication through sensory experiences.
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Installation View 1: 'Thirst'
Exhibit dates: August 27-October 1, 2015
Part 1 of 6, 2015-16 Installation SeriesThirst engages what we desire and long for, encouraging viewers to consider the desires so deeply embedded in us that they can be difficult to access. Beyond money, good health or novel experiences, Thirst invites us to consider the ways in which we substitute what we really desire with temporary and unsustainable comforts. Creative lead Andrew Hendrixson is an artist and writer whose recent work includes collaborations with incarcerated youth and an experimental art project that seeks to create conversational spaces in homes across the country about the role of the arts.
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Installation View 2: 'Thirst'
Exhibit dates: August 27-October 1, 2015
Part 1 of 6, 2015-16 Installation SeriesThirst engages what we desire and long for, encouraging viewers to consider the desires so deeply embedded in us that they can be difficult to access. Beyond money, good health or novel experiences, Thirst invites us to consider the ways in which we substitute what we really desire with temporary and unsustainable comforts. Creative lead Andrew Hendrixson is an artist and writer whose recent work includes collaborations with incarcerated youth and an experimental art project that seeks to create conversational spaces in homes across the country about the role of the arts.
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Postcard: 'Thirst'
Exhibit dates: August 27-October 1, 2015
Part 1 of 6, 2015-16 Installation SeriesThirst engages what we desire and long for, encouraging viewers to consider the desires so deeply embedded in us that they can be difficult to access. Beyond money, good health or novel experiences, Thirst invites us to consider the ways in which we substitute what we really desire with temporary and unsustainable comforts. Creative lead Andrew Hendrixson is an artist and writer whose recent work includes collaborations with incarcerated youth and an experimental art project that seeks to create conversational spaces in homes across the country about the role of the arts.
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Installation View: 'Wisdom'
Exhibit dates: April 15-30, 2015
Question: Wisdom: Who Are You?This premiere installation, designed and created by the University of Dayton’s ArtStreet student residents and detained youth from the Clark County Detention Center and curated by artist Ben Riddlebarger, explores the human journey from birth to death through an imaginative and curious questioning of the infinite roads we may take, the virtues we do embrace and the choices we may make in our 21st-century world. Presented in partnership with Project Jericho, Clark State Community College and Clark County Department of Job and Family Services.
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Postcard: 'Wisdom'
Exhibit dates: April 15-30, 2015
Question: Wisdom: Who Are You?This premiere installation, designed and created by the University of Dayton’s ArtStreet student residents and detained youth from the Clark County Detention Center and curated by artist Ben Riddlebarger, explores the human journey from birth to death through an imaginative and curious questioning of the infinite roads we may take, the virtues we do embrace and the choices we may make in our 21st-century world. Presented in partnership with Project Jericho, Clark State Community College and Clark County Department of Job and Family Services.
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Installation View: 'Ghetto'
Exhibit dates: February 24-March 31, 2015
A world premiere installation retail experience, this exhibit tackles the historically weighted word "ghetto" through a subverted commercial lens with the goal to take the commercialized aspects and use of the word and turn it into socio/political/economic commentary.
Artistic producers: Rodney Veal, Brian LaDuca, Adrienne Ausdenmoore.
Creative team: Joey Ferber, Alison Gaines, Pu Gao, Jacob Hansen, Elisa Kappadel, Qing Lu, Karlos Marshall, Kiersten Remster, Abbie Shepherd, Asterlyn Smith, Shuyue Zhengken.
Consultation team: Ken Bloemer, Shamell Brandon, Tracy Harmon-Kizer, Tom Kenworthy, Amy Lopez-Matthews, Art Jipson, James Pate, Joel Pruce, Carlos Stewart, Susan Wawrose.
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Postcard: 'Ghetto'
Exhibit dates: February 24-March 31, 2015
A world premiere installation retail experience, this exhibit tackles the historically weighted word "ghetto" through a subverted commercial lens with the goal to take the commercialized aspects and use of the word and turn it into socio/political/economic commentary.
Artistic producers: Rodney Veal, Brian LaDuca, Adrienne Ausdenmoore.
Creative team: Joey Ferber, Alison Gaines, Pu Gao, Jacob Hansen, Elisa Kappadel, Qing Lu, Karlos Marshall, Kiersten Remster, Abbie Shepherd, Asterlyn Smith, Shuyue Zhengken.
Consultation team: Ken Bloemer, Shamell Brandon, Tracy Harmon-Kizer, Tom Kenworthy, Amy Lopez-Matthews, Art Jipson, James Pate, Joel Pruce, Carlos Stewart, Susan Wawrose.
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Installation View: 'Malaise'
Exhibit dates: January 15-February 19, 2015
Malaise is an environment that captures a snapshot of the dichotomy of comfort and pain within family dynamics. Crocheting, in its act, mirrors the monotony of thinking, saying and doing found in our domestic households. Mallory (Dover) Tay (BFA '07) will address the false sense of stability and security through this sculptural installation.
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Postcard: 'Malaise'
Exhibit dates: January 15-February 19, 2015
Malaise is an environment that captures a snapshot of the dichotomy of comfort and pain within family dynamics. Crocheting, in its act, mirrors the monotony of thinking, saying and doing found in our domestic households. Mallory (Dover) Tay (BFA '07) will address the false sense of stability and security through this sculptural installation.
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Installation View: 'Perspectives: Citizens of the World'
Exhibit dates: November 11-December 19, 2014
In collaboration with the Center for International Programs, the 10th annual Citizens of the World exhibit highlights stories that display students’ perspective of the world we live in through photography. Be it through Instagram-created photographic stories or collections of pictures highlighting a global journey, Perspectives showcases both the international and domestic journeys of University of Dayton students as they experience, engage and capture the world they live in. Presented with support from the Office of Multicultural Affairs and the Department of Art and Design.
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Postcard: 'Perspectives: Citizens of the World'
Exhibit dates: November 11-December 19, 2014
In collaboration with the Center for International Programs, the 10th annual Citizens of the World exhibit highlights stories that display students’ perspective of the world we live in through photography. Be it through Instagram-created photographic stories or collections of pictures highlighting a global journey, Perspectives showcases both the international and domestic journeys of University of Dayton students as they experience, engage and capture the world they live in. Presented with support from the Office of Multicultural Affairs and the Department of Art and Design.
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Installation View: 'Impact'
Exhibit dates: September 30-November 6, 2014
Presented in conjunction with the University Libraries’ landmark exhibit Imprints and Impressions, alumni artists Misty Thomas-Trout, Joseph Hoffman and Ellie Richards return to embark on a world premiere installation that not only reacts to and comments on the written word, but also explores the impact of the diverse history within the Rose Rare Book Collection and its place in today’s evolving multidisciplinary educational landscape.
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Postcard: 'Impact'
Exhibit dates: September 30-November 6, 2014
Presented in conjunction with the University Libraries’ landmark exhibit Imprints and Impressions, alumni artists Misty Thomas-Trout, Joseph Hoffman and Ellie Richards return to embark on a world premiere installation that not only reacts to and comments on the written word, but also explores the impact of the diverse history within the Rose Rare Book Collection and its place in today’s evolving multidisciplinary educational landscape.
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Installation View: 'Hypermediacy'
Exhibit dates: August 25-September 25, 2014
Social media is all around us. News channels dictate politic and perspective. Never before have we been so connected to immediate information — and the future trends show even faster forms of informational interface. But what really is news? In Hypermediacy: The Obsession with 24/7 Media, watch Dayton artists Seth Wade, Matthew Burgy and Christopher "etch" Weyrich simultaneously create work based on social media, news and other information feeds over a 64-hour period, starting Monday, Aug. 25, at 8 a.m. and ending Thursday, Aug. 28, at 5 p.m. This experimental creative installation will change the way you look at what is considered news versus what really is news.
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Postcard: 'Hypermediacy'
Exhibit dates: August 25-September 25, 2014
Social media is all around us. News channels dictate politic and perspective. Never before have we been so connected to immediate information — and the future trends show even faster forms of informational interface. But what really is news? In Hypermediacy: The Obsession with 24/7 Media, watch Dayton artists Seth Wade, Matthew Burgy and Christopher "etch" Weyrich simultaneously create work based on social media, news and other information feeds over a 64-hour period, starting Monday, Aug. 25, at 8 a.m. and ending Thursday, Aug. 28, at 5 p.m. This experimental creative installation will change the way you look at what is considered news versus what really is news.
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Installation View: 'Voices'
Exhibit dates: March 25-April 25, 2014
Through music, photography and visual statements, the culmination of the spring semester ArtStreet Experience course will bring to life 110 years of American music and those marginalized music makers whose creative work became the voice of America in the face of commercialization, corporation and corruption. Presented in collaboration with the Roesch Library's “America’s Music” film series.
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Postcard: 'Voices'
Exhibit dates: March 25–April 25, 2014
Through music, photography and visual statements, the culmination of the spring semester ArtStreet Experience course will bring to life 110 years of American music and those marginalized music makers whose creative work became the voice of America in the face of commercialization, corporation and corruption. Presented in collaboration with the Roesch Library's “America’s Music” film series.
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Installation View: 'Metamorphosis'
Exhibit dates: February 18–March 16, 2014
Chicago-based artist Tim Arroyo expands on his Inner Beauty Project, based on an observation of the unwillingness to be photographed and shedding one's outer layer. This inherent beauty is captured through the process of photographing the subject in infrared, revealing a beauty from within. This project was developed to show there is beauty in all people. Presented by ArtStreet with support from the UD Women's Center and the Center for Social Concern.
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Postcard: 'Metamorphosis'
Exhibit dates: February 18–March 16, 2014
Chicago-based artist Tim Arroyo expands on his Inner Beauty Project, based on an observation of the unwillingness to be photographed and shedding one's outer layer. This inherent beauty is captured through the process of photographing the subject in infrared, revealing a beauty from within. This project was developed to show there is beauty in all people. Presented by ArtStreet with support from the UD Women's Center and the Center for Social Concern.
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Installation View: 'Identification'
Exhibit dates: January 13–February 10, 2014
Created specifically for ArtStreet, this exhibition from Ohio artist Amy Kollar Anderson includes paintings and an interactive station designed to encourage the viewer to explore empathy for others. The work is inspired by the study of mirror neurons, the birthplace of empathy, and how they connect us to the actions and feelings of others. Any moment of empathy, where someone takes one small action to decrease violence, is a green dot in our community. Let's come together, through the power of empathy and our human connection, to stop violence.
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Postcard: 'Identification'
Exhibit dates: January 13–February 10, 2014
Created specifically for ArtStreet, this exhibition from Ohio artist Amy Kollar Anderson includes paintings and an interactive station designed to encourage the viewer to explore empathy for others. The work is inspired by the study of mirror neurons, the birthplace of empathy, and how they connect us to the actions and feelings of others. Any moment of empathy, where someone takes one small action to decrease violence, is a green dot in our community. Let's come together, through the power of empathy and our human connection, to stop violence.
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Installation View: 'Citizens of the World 2013'
Exhibit dates: November 7–December 13, 2014
Presented by ArtStreet and the Center for International Programs, this juried exhibit highlights student and faculty photography from their educational experiences abroad.
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Postcard: 'Citizens of the World 2013'
Exhibit dates: November 7–December 13, 2014
Presented by ArtStreet and the Center for International Programs, this juried exhibit highlights student and faculty photography from their educational experiences abroad.
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Installation View: 'Bullet'
Exhibit dates: September 24–November 3, 2013
This six-week event will feature collaborative artwork between artists, educators and youth from some of America's most devastated areas affected by gun violence to examine the ideas, images and psychologies associated with a bullet.
Part I: Featuring work by nationally recognized artist S.B. Woods in partnership with the Newtown Action Alliance and The Newtown Foundation, and original work created by Newtown and Sandy Hook students at the Sandy Hook Art Center for Kids.
Part II: Featuring work by Ohio artist James Pate and students from the Dayton Early College Academy.
Part III: Featuring the work of Sarah Ward — one of Chicago's leading arts advocates and educators — and her South Chicago Art Center students.
National Collegiate Premiere of ‘The Warriors’–written and directed by Evan Linder; conceived by Mary Hollis Inboden.
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Postcard: 'Bullet'
Exhibit dates: September 24–November 3, 2013
This six-week event will feature collaborative artwork between artists, educators and youth from some of America's most devastated areas affected by gun violence to examine the ideas, images and psychologies associated with a bullet.
Part I: Featuring work by nationally recognized artist S.B. Woods in partnership with the Newtown Action Alliance and The Newtown Foundation, and original work created by Newtown and Sandy Hook students at the Sandy Hook Art Center for Kids.
Part II: Featuring work by Ohio artist James Pate and students from the Dayton Early College Academy.
Part III: Featuring the work of Sarah Ward — one of Chicago's leading arts advocates and educators — and her South Chicago Art Center students.
National Collegiate Premiere of ‘The Warriors’ — written and directed by Evan Linder; conceived by Mary Hollis Inboden.
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Installation View: 'Action'
Exhibit dates: August 19–September 17, 2013
Joel Bergner is an award-winning mural artist whose work, focusing on issues of culture, diversity and history, explores a variety of local and international social issues. Joel’s artwork is heavily inspired by his community-based work in many U.S. cities and abroad, where his murals are currently on display. This exhibit will feature photographs of his work, as well as a custom mural created during his weeklong residency at UD. Presented by ArtStreet with support by University of Dayton’s School of Law, Institutional Diversity and Inclusion, Department of Philosophy, Department of Visual Arts, New Student Programs, Center for International Programs, Self and Community in the 21st Century ILLC and the Alumni Chair in Humanities.
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Postcard: 'Action'
Exhibit dates: August 19–September 17, 2013
Joel Bergner is an award-winning mural artist whose work, focusing on issues of culture, diversity and history, explores a variety of local and international social issues. Joel’s artwork is heavily inspired by his community-based work in many U.S. cities and abroad, where his murals are currently on display. This exhibit will feature photographs of his work, as well as a custom mural created during his weeklong residency at UD. Presented by ArtStreet with support by University of Dayton’s School of Law, Institutional Diversity and Inclusion, Department of Philosophy, Department of Visual Arts, New Student Programs, Center for International Programs, Self and Community in the 21st Century ILLC and the Alumni Chair in Humanities.
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Installation View: 2013 Western Ohio Art Education Association Regional Art Exhibition
Exhibit dates: June 17–July 27, 2013
The exhibit features artwork from K-12 students throughout the Miami Valley region.
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Installation View: 'La Fin'
Exhibit dates: April 15–May 1, 2013
Featuring artwork created by select students graduating from the Department of Visual Arts: Meaghan Crowley, Breaan Gabel, Sabine Hahn, Laura Petrocci and Jill Pajka.
