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Article Title

How Blue is Blue: Stereotyping in Contemporary Gay Fiction

Abstract

Consumers continue to demonstrate that homoeroticism is a primary objective of blue movies, novels, and magazines. Although the self-stimulating merits of titles such as Blueboy are obvious, their side effects may be less conspicuous. Stereotyping is one such potential by-product; it will be examined in relation to a body of popular gay fiction that reasonably sophisticated bookstores could be expected to stock.

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