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Abstract

Many books and essays on Emily Dickinson's poetry have appeared in the last five years, and each approaches the question of spirituality divergently depending on the author's dominant focus. Barbara Mossberg deals with Dickinson as dutiful and rebellious daughter; Jane Eberwein concentrates on strategies of limitation; Sandra Gilbert rehabilitates domesticity; and Vivian R. Pollak analyzes the anxiety of gender. The critics agree, however, that spirituality holds a central place in Dickinson's poetry.

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