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  A la Verge Santíssima: Dues Lletretes a Una Veu (Sia Vostra Gran Puresa, Oració a Maria)

  Eudalt Serra and Jacint Verdaguer

  Collection of two hymns to the Virgin Mary composed by Father Eudalt Serra: "Sia Vostra Gran Puresa" (Whether Your High Purity) and "Oració a Maria" (Prayer to Mary), the latter with lyrics by Father Jacint Verdaguer. Both songs are arranged for solo voice with organ or harmonium accompaniment.

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  A Litany

  Frank Bridge and Phineas Fletcher

  Choral work by Frank Bridge based on a poem by seventh century Scottish poet Phineas Fletcher. This work is for two treble (or soprano) voices and one alto, with accompaniment by organ or harmonium ad libitum.

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  Alla Vergine

  Leopoldo Mastrigli, Ludwig van Beethoven, and Dante Alighieri

  "Alla Vergine" is a musical setting of the first seven stanzaas of Canto XXXIII from Dante Alighieri's Paradiso. The music, composed by Leopoldo Mastrigli, is adapted from Ludwig van Beethoven's "Piano Sonata No. 14 in C Sharp" (Opus 27 no. 2), better known as the "Moonlight Sonata." The lyrics are taken from Saint Bernard's prayer to Mary, "Virgin Mother, daughter of your Son." This edition is arranged for solo voice, piano, violin, and cello.

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  Ave Maria

  Franz Abt and Hugo Ries

  English translation of "Ave Maria" composed by Franz Abt, edited by Hugo Ries. For three-part chorus of women's voice (Soprano I, Soprano II, and Alto) with soprano solo and piano accompaniment.

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  Ave Maria

  Jacob Arcadelt and Robert Holzmer

  This copy of "Ave Maria," composed by Jacob Arcadelt in 1550, was transcribed in 1917 by Brother Robert Holzmer, S.M., at Mount Saint John in Dayton, Ohio.

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  Ave Maria

  Johannes Brahms

  Organ part for Johannes Brahms's "Ave Maria" for women's voices with organ and orchestra.

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  Ave Maria

  Johannes Brahms

  Full orchestration for Johannes Brahms's "Ave Maria" for women's voices with organ and orchestra. Instrumentation is for flute, oboe, clarinet, bassoon, French horn, two violin parts, viola, cello, and bass; the chorus is for two soprano parts and two alto parts.

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  Ave Maria

  Johannes Brahms

  Voice and piano parts for Johannes Brahms's "Ave Maria" for women's voices. The chorus is for two soprano parts and two alto parts.

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  Ave Maria

  Luigi Cherubini

  An arrangement of Luigi Cherubini's "Ave Maria" for solo soprano with piano or organ accompaniment.

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  Ave Maria

  Luigi Cherubini and Louis Saar

  An arrangement of Luigi Cherubini's "Ave Maria" for a chorus of women's voices (two soprano parts and one alto part) with a soprano solo and piano accompaniment. This piece was arranged by Louis Victor Saar.

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  Ave Maria

  Lluís Corominas

  Handwritten transcription of Father Lluís Romeu I Corominas' "Ave Maria" for unaccompanied solo voice. The identity of the transcriber is unknown; the sheet music was penned in the early twentieth century.

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  Ave Maria

  Tomás de Victoria and Robert Holzmer

  Tomas Luis de Victoria's "Ave Maria," arranged for four voice parts, unaccompanied. This sheet music was transcribed by Brother Robert Holzmer, S.M., at Mt. St. John, the Marianists' home in Dayton, Ohio.

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  Ave Maria

  Charles Gounod and Johann Bach

  Arrangement for contralto or baritone voice, violin or cello solo, and piano or organ accompaniment of Charles Gounod's "Ave Maria." The melody is adapted from Johann Sebastian Bach's "Prelude No. 1 in C Major."

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  Ave Maria

  Charles Gounod, Johann Bach, and Paul Bernard

  Arrangement for solo soprano or tenor with piano accompaniment of Charles Gounod's "Ave Maria." The melody is adapted from Johann Sebastian Bach's "Prelude No. 1 in C Major," with a French translation of the Latin text by Paul Bernard.

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  Ave Maria

  Harry Howard

  A copy of Harry Wheaton Howard's "Ave Maria" distributed by Sister Marie José of the Emmitsburg Sisters of Charity in 1977. This edition contains information about the popularity of the hymn, the career of Howard, and the legal process undergone to determine that the hymn was in the public domain. This hymn is arranged for two treble voices with piano accompaniment.

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  Ave Maria

  E. Köllner and Paul Lindenberg

  A hymn for a four part male chorus (two tenor parts and two bass parts) with an alternating double chorus. The lyrics are by Paul Lindenberg and the music was composed by E. Köllner.

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  Ave Maria

  Emil Krause

  The voice and piano parts for Emil Krause's opus 44, "Ave Maria." This arrangement is for a double chorus of women's voices, with each chorus containing two soprano and one alto part. This is a presentation copy autographed by the composer in 1884.

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  Ave Maria

  Pietro Mascagni, Piero Mazzoni, Sigmar Mehring, and Bogumil Zepler

  "Ave Maria!" is a hymn set to music adapted from the intermezzo of Pietro Mascagni's opera Cavalleria Rusticana. The Italian lyrics were written by Piero Mazzoni, the German lyrics were translated by Sigmar Mehring. This edition is arranged by Bogumil Zepler for a solo soprano or tenor with piano accompaniment.

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  Ave Maria

  Felix Mendelssohn-Bartholdy

  Arrangement of Felix Mendelssohn-Bartholdy's "Ave Maria" (Opus 23 no. 2) for a mixed choir (two soprano parts, two alto parts, two tenor parts, and two bass parts) with basso continuo.

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  Ave Maria

  Felix Mendelssohn-Bartholdy

  Arrangement of Felix Mendelssohn-Bartholdy's "Ave Maria" (Opus 23 no. 2) for solo voice with organ or piano accompaniment.

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  Ave Maria

  Harrison Millard

  Harrison Millard's "Ave Maria" for solo voice with piano accompaniment. This arrangement is in the key of E flat for medium voices.

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  Ave Maria

  Harrison Millard

  Harrison Millard's "Ave Maria" for solo voice with piano accompaniment. This arrangement is in the key of F for high voices.

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  Ave Maria

  Franz Schubert

  Franz Schubert's "Ave Maria," arranged for mezzo-soprano or baritone voice with piano accompaniment.

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  Ave Maria

  Peter Tchaikovsky and Charles Repper

  Peter Ilich Tchaikovsky's "Ave Maria," arranged and translated into English by Charles Repper. This arrangment is for a four part women's chorus (two soprano parts and two alto parts) with piano accompaniment.

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  Ave Maria!

  Pietro Mascagni, Piero Mazzoni, and Frederick Weatherly

  "Ave Maria!" is a hymn set to music adapted from the intermezzo of Pietro Mascagni's opera Cavalleria Rusticana. The Italian lyrics were written by Piero Mazzoni, and the English lyrics for this edition were translated by Frederick Edward Weatherly. This edition is arranged for a solo mezzo-soprano or baritone with piano accompaniment.

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  Ave Maria!

  Pietro Mascagni, Piero Mazzoni, and Frederick Weatherly

  "Ave Maria!" is a hymn set to music adapted from the intermezzo of Pietro Mascagni's opera Cavalleria Rusticana. The Italian lyrics were written by Piero Mazzoni, and the English lyrics for this edition were translated by Frederick Edward Weatherly. This edition is arranged for a solo mezzo-soprano or baritone with piano accompaniment.

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  Ave María

  Lluís Corominas

  "Ave Maria" by Father Lluís Romeu I Corominas for solo voice with organ or harmonium accompaniment.

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  Ave Maria, Full of Compassion

  Luigi Luzzi and Theodore Barker

  "Ave Maria, Full of Compassion," composed by Luigi Luzzi, with English lyrics translated by Theodore T. Barker. Written for solo voice with piano accompaniment.

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  Ave Maria: Sacred Song

  Harry Howard

  A presentation copy of Harry Wheaton Howard's "Ave Maria," inscribed by the author to his "dear friend" Brother Tom Jones on May 27, 1944. Howard was for many years the organist at the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C. This hymn is arranged for two treble voices with piano accompaniment.

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  Ave Sanctissima: Hymne à la Vierge

  Brinley Richards

  Brinley Richards's opus 45, "Ave Sanctissima: Hymne à la Vierge" (Hymn to the Virgin), arranged for piano.

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  Bogurodzica: Starożytna Pieśń Polska

  Stanisław Bursa and Jan Bukowski

  A Polish hymn by Stanisław Bursa (English translation: "Mother of God: the Ancient Song of Poland"), illustrated by the Polish artist Jan Bukowski. Arranged for a mixed chorus of men and women with organ accompaniment.

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  Cantate a la Vierge Immaculée

  Paul Vidal and Paul Rey

  Fragments from "Cantate a la Vierge Immaculée" (Cantata to the Immaculate Virgin), composed by Paul Vidal with lyrics by Paul Rey. Arranged for soprano, mezzo-soprano, and contralto voices with harmonium or organ accompaniment. Included as part of a supplement in the December 1904 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.

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  Cantate a l'Immaculée-Conception

  P. Myannat and R.P. Delaporte

  Hymn in honor of the Immaculate Conception of Mary for voice (solo or duet) with organ accompaniment. The music was composed by P. Myannat, and the lyrics are from a poem by R.P. Delaporte.

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  Cantica Mariana: Sieben Marianische Gesänge zum Gebrauche bei Nachmittägigen Andachten

  Ignaz Mitterer

  Collection of Marian antiphons and hymns for a mixed choir (soprano, alto, tenor, and bass voice parts) with organ accompaniment.

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  Cantique de Noel

  Adolphe Adam, Placide Cappeau, Victorin Joncières, and A. Barbizet

  Second edition of "Cantique de Noël," also known as "O Holy Night," composed by Adolphe Adam, for solo voice and organ accompaniment. The lyrics are taken from the poem "Minuet, chrétiens" by Placide Cappeau, and the orchestration of this edition was composed by Victorin Joncières. The piece was first performed by the noted opera singer Emily Laurey. The cover illustration is a lithograph by A. Barbizet.

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  Charité

  Jean-Baptiste Faure and Victor Prilleux

  French hymn by Jean-Baptiste Faure with lyrics by Victor Prilleux. This edition is arranged for a solo soprano or tenor voice with piano accompaniment. The cover artwork is a lithograph by Edouard De Lay. The lyrics solicit charity and kindness towards the poor in the name of the Virgin Mary.

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  Choruses in Octavo Form

  Jacob Schloeder, Ignaz Franz, and Clarence Walworth

  Collection of four octavo choruses. This set of sheet music includes Jacob H. Schloeder's "The Divine Praises," uncredited arrangements of the Lord's Prayer ("Our Father") and Hail Mary, and Ignaz Franz's "Holy God, We Praise Thy Name" (uncredited here, and under the title "Sancte Deus, Laudamus Te" and with the English lyrics of Clarence A. Walworth). The music is arranged for chorus of four voice parts.

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  Cobriu-me de Flors

  Joan Lambert and A. Navarro

  A Catalonian hymn to Mary whose title translates to "Cover Me With Flowers." This sheet music is for a chorus of two equal voice parts with organ or harmonium accompaniment. The music was composed by Joan B. Lambert, and the lyrics are by A. Navarro.

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  Col-lecció de Goigs a la Mare de Deu

  Lluís Corominas

  Collection of hymns to the Virgin Mary by Father Lluís Romeu for a unison choir with piano accompaniment. The hymns included are "Goigs de la Puríssima" (Joys of the Virgin), "Goigs de la Divina Pastora" (Joys of the Divine Shepherdess), and "Goigs de Nostra Senyora del Carme" (Joys of Our Lady of Mount Carmel).

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  Completorium Romanum, Primus et Secundus Chorus: Alma Redemptoris, Ave Regina Coelorum

  Giovanni Asola

  Compline, or night prayers of the Divine Office, with two additional in honor of Mary, "Alma Redemptoris" and "Ave Regina Cœlorum." This piece is the tenor part of a work composed for three voice parts.

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  Déu Vos Salve, Reina I Mare

  Lluís Corominas

  "Deu vos Salve Reina I Mare" (Hail Queen and Mother) by Father Lluís Romeu I Corominas for unison choir with organ accompaniment.

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  Die Flucht nach Egypten (La Fuite en Egypte): Biblische Legende

  Hector Berlioz

  "La Fuite en Egypte" is the second part of Hector Berlioz's oratorio L'enfance du Christ, based upon the Holy Family's flight to Egypt. This section is divided into three parts: the overture, "L'adieu des Bergers" (The Shepherds' Farewell), and "Le Repose de la Sainte Famille" (The Repose of the Holy Family). Includes orchestration for two flutes, oboe, English horn, two violins, viola, cello, and bass; and soprano, alto, tenor, and bass voice parts.

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  Erhebt in Vollen Chören (Now Raise Your Joyful Voices)

  Friedrich Koenen

  A hymn for four voice parts (two sopranos and two altos) by Friedrich Koenen in praise of the Virgin Mary. This hymn appears to have been removed from an issue of The Caecilia: Magazine of Catholic Church and School Music from around the turn of the century.

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  Feestlied

  Jaak Opsomer and Z.E.H. De Munck

  Dutch hymn honoring the Virgin Mary for solo voice with no accompaniment.

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  Glòria a Maria

  Joan Lambert and Jacint Verdaguer

  A Catalonian hymn to Mary whose title translates to "Glory to Mary." This sheet music is for a chorus with two solo voices and organ or harmonium accompaniment. The music was composed by Joan B. Lambert, and the lyrics are a poem by Jacint Verdaguer.

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  Gozos a la Santísima Virgen del Pilar

  Valentín Metón

  For a children's choir (tenor and bass), with organ or piano accompaniment. The title translates to "Joys of Our Lady of the Pillar."

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  Hilferuf an Die Gnadenmutter von Altötting

  Peter Griesbacher

  Arrangement for a mixed chorus with soprano or tenor solo and organ accompaniment of Peter Griesbacher's opus 183, "Hilferuf an die Gnadenmutter von Altötting." The song is an appeal for the intercession of Our Lady of Altötting, to whom a shrine is dedicated in the Bavarian region of Germany.

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  Himno a la Santísima Virgen del Pilar

  Elias Villarreal and Mercedes Sarthou

  "Himno a la Sma. Virgen del Pilar" (Hymn to the Blessed Lady of the Pillar), composed by Elias Villarreal with lyrics by Mercedes Sarthou. A hymn in honor of Our Lady of the Pillar for unison chorus with organ accompaniment

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  Himno a Nuestra Señora de Loreto en su Coronacion

  Sebastián Simonet and Antonio Corredor

  "Himno a Nuestra Señora de Loreto en su Coronacion" is a Spanish hymn by Father Sebastián Simonet, O.F.M., with lyrics by Father Antonio Corredor, O.F.M. The title translates to "Hymn to Our Lady of Loreto on her Coronation." This sheet music is for two voice parts with piano accompaniment.

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  Hymn to Our Lady of Fatima

  Robert Holzmer and Maria Fabian

  Sheet music for the song "Hymn to Our Lady of Fatima." The lyrics are by Sister Maria Fabian, a Sister of Mercy, and the music was composed by Robert Holzmer, a Marianist. This music is arranged for four voice parts. It was distributed in The Marianist Bulletin, a magazine published by the Marianists of Dayton, Ohio.

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  I Misteri del Rosario

  Raffaello Agostini, Edoardo Soldi, and Antonino Ciardi

  "I Misteri del Rosario" (the Mysteries of the Rosary) composed by Raffaello Agostini, Edoardo Soldi, and Antonino Ciardi in honor of Donato Velluti Zati di San Clemente, then Bishop of Pistoia and Prato. The work includes an introductory song, and songs for the Joyful, Sorrowful, and Glorious Mysteries of the Rosary. These songs were composed for a duet of two equal voices.

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  Immaculata Messe zu Ehren der Unbefleckten Gottesmutter

  Basílio Röwer

  Mass setting by Brother Basílio Röwer, O.F.M., in honor of Mary Immaculate. This mass setting is for four voice parts (two tenors and two basses), unaccompanied. The sheet music also contains Brother Röwer's "Ave Maria," arranged for three unaccompanied voice parts.

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  Kroningslied

  G.H. Hilge and Z.E.Hr.H. Claes

  Dutch hymn honoring the coronation of Mary for solo voice with no accompaniment.

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  Lauretanische Litanei

  Joseph Auer

  A setting of the Litaniae Lauretanae (Litany of Loreto or Litany of the Blessed Virgin Mary) by Joseph Auer, written for a five-part mixed chorus (soprano, alto, tenor, baritone, and bass). This work was composed in honor of Father Utto Kornmüller, O.S.B.

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  Lauretanische Litanei in A dur, No. 2

  Johannes Habert

  Johannes Evangelista Habert's opus 25, a Litany of Loreto for four voice parts (soprano, alto, tenor, and bass) with organ accompaniment.

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  La Vierge a la Crèche

  Justin Clérice and Alphonse Daudet

  "La Vierge a la Crèche," with music composed by Justin Clérice and lyrics from a poem by the French novelist Alphonse Daudet, recounts scenes of the Virgin Mary caring for the Baby Jesus. This song is arranged for a solo mezzo-soprano or baritone voice. This song was dedicated to Irène Pathé, and was first performed by French tenor Albert Vaguet.

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  Litaniae Lauretanae

  Peter Griesbacher

  Peter Griesbacher's opus 102, a Litany of Loreto for four voice parts (soprano, alto, tenor, and bass) with organ accompaniment.

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  Litaniae Lauretanae

  Peter Griesbacher

  Peter Griesbacher's opus 225, a Litany of Loreto for four voice parts (soprano, alto, tenor, and bass) with organ accompaniment.

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  Litanies a la Très Sainte Vierge: Cantique en Forme de Chant Alterné

  Charles Bordes

  A Marian litany for a chorus of mixed voices. Included as part of a supplement in the May 1911 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.

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  Litany of Loreto: Seven Musical Settings in Honor of the Seven Joys of Mary

  Francis Schneider, Charles Dreisoerner, Thomas Henderson, and Maria Fabian

  Collection of seven musical settings of the Litany of Loreto, inspired by the Seven Joys of Mary, and a hymn in honor of Our Lady of Fatima. Brother Francis Schneider, S.M., composed the following settings: "In Honor of the Annunciation," "In Honor of the Nativity," "In Honor of the Adoration of the Magi," "In Honor of the Finding in the Temple," "In Honor of the Resurrection," and "In Honor of the Assumption." Father Charles Dreisoerner, S.M., composed the setting "In Honor of the Visitation." The settings are all written for one voice part. This sheet music also includes the hymn "Lady of Fatima," with music composed by Father Charles Dreisoerner, S.M., and Brother Thomas Henderson, S.M., and lyrics by Sister Maria Fabian.

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  Lode a Maria SS. Addolorata

  Carlo Gerbaldi and Antonio Fontana

  Italian hymn to Our Lady of Sorrows, composed by Carlo Gerbaldi with lyrics by Father Antonio Fontana. This sheet music was published by the Church of San Carlo in Torino.

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  Magnificat

  Charles Stanford

  Charles Villiers Stanford's Opus 164, "Magnificat" for an eight-part double chorus (two soprano parts, two alto parts, two tenor parts, and two bass parts), unaccompanied. The sheet music does include a piano practice part, not intended to be used in performances of the work.

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  Magnificat in A Minor

  T. Noble

  A Magnificat, or Canticle of Mary, composed by T. Tertius Noble for a mixed choir (soprano, alto, tenor, and bass voice parts) with organ accompaniment.

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  Maria, Meine Freude (Virgin Mary, Mother Dearest)

  Friedrich Koenen

  A hymn for three voice parts (two sopranos and one alto) by Friedrich Koenen in honor of the Virgin mary. This hymn was removed from a 1907 volume of The Caecilia: Magazine of Catholic Church and School Music.

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  Missa "Assumpta est Maria"

  Giovanni da Palestrina and Franz Haberl

  Mass setting by Giovanni Pierluigi da Palestrina in honor of the Assumption of Mary. This mass setting was arranged for a mixed chorus (two sopranos, alto, two tenors, and bass voice parts) by Franz X. Haberl.

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  Missa Ave Maria

  Franz Nekes

  A mass setting in honor of the Virgin Mary by Franz Nekes for an unaccompanied male choir (two tenor parts, two bass parts).

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  Missa Consolatrix Afflictorum

  Dominique Heckmes

  Mass setting by Luxembourgian composer Dominique Heckmes in honor of Mary, Consolatrix Afflictorum (Comforter of the Afflicted). This mass setting is for five voice parts (soprano, alto, tenor, baritone, and bass) with no accompaniment.

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  Missæ Votivæ de Sancta Maria

  Giulio Bas

  A collection of votive masses in honor of the Blessed Virgin Mary by Giulio Bas, based on Gregorian chant. The mass settings are arranged for four voice parts.

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  Notre-Dame de la Montagne (Cantique Populaire)

  Adolphe Dargein

  Notre-Dame de la Montagne is a French hymn for solo voice by Adolphe Dargein, organist at the Sanctuary of Our Lady of Lourdes in Lourdes, France. The title translates to "Our Lady of the Mountain." This music was printed in the Saint-Sulpician district of Paris, and is printed on a pocket-sized card.

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  Of All Virgins, Thou Art Fairest

  P. Piel

  Hymn "Of All Virgins, Thou Art Fairest" by P. Piel for two part choir with piano accompaniment. This song was removed from an unknown hymnal or magazine.

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  Oh Mare de Déu

  Joan Lambert and J. Puntí

  A Catalonian hymn to Mary whose title translates to "Oh Mother of God." This sheet music is for a unison chorus with soloist and organ or harmonium accompaniment. The music was composed by Joan B. Lambert, and the lyrics are by J. Puntí.

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  Our Lady of the Pillar

  Robert Holzmer

  A hymn for four voice parts dedicated to Our Lady of the Pillar, the name given to Mary for her apparition in Zaragoza, Spain in the first century. This hymn was written by Brother Robert Holzmer, S.M., at Mt. St. John, the Marianists' home in Dayton, Ohio. Our Lady of the Pillar holds special significance for the Society of Mary, as Blessed William Joseph Chaminade was residing in exile near the shrine in her honor when he received a message from the Virgin Mary to start the religious order that would become the Marianists.

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  O Verge I Mare de Déu

  Lluís Corominas

  "O Verge I Mare de Déu" (O Virgin Mother of God) by Father Lluís Romeu I Corominas for solo voice with organ or harmonium accompaniment.

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  Plegaria a la Sma. Virgen

  Antonio González

  Spanish hymn to the Blessed Virgin Mary written for four voice parts (two tenors, one baritone, one bass).

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  Regina Coeli

  Dutch arrangement of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church.

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  Regina Coeli

  Robert Holzmer

  An arrangement for four voice parts of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church. This hymn was either composed or transcribed by Brother Robert Holzmer, S.M., at Mount St. John, the Marianists' home in Dayton, Ohio.

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  Regina Coeli

  Charlemagne Loisel

  Arrangement of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church. Arranged for four voice parts (soprano, two tenors, and bass) with piano or organ accompaniment. The seventh piece in a series of twelve motets to the Blessed Virgin Mary.

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  Regina Coeli

  Melchiorre Mauro-Cottone

  Arrangement of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church, for solo voice and two-part chorus with organ accompaniment. This song was dedicated to Eduardo Marzo by the composer.

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  Reine du Ciel: Alleluia!

  Edmond Missa

  A French hymn honoring Mary as "Queen of Heaven" by Edmond Missa. Included as part of a supplement in the May 1911 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.

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  Rosarium Marianum: Salutatio Angelica no. 1-5

  J.A.S. van Schaik

  Songs 1 through 5 in J.A.S. van Schaik's "Rosarium Marianum." The lyrics to each song come from the Latin text of the "Hail Mary" prayer. Songs 1, 2, and 4 are arranged for tenor and bass voice parts with organ accompaniment; songs 3 and 5 are arranged for soprano and alto voice parts with organ accompaniment. The sheet music for songs 6-10 can also be found in this digital collection.

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  Rosarium Marianum: Salutatio Angelica no. 6-10

  J.A.S. van Schaik

  Songs 6 through 10 in J.A.S. van Schaik's "Rosarium Marianum." The lyrics to each song come from the Latin text of the "Hail Mary" prayer. Song 6 is arranged for soprano and alto voice parts, accompanied by organ; song 7 is arranged for tenor and bass voice parts accompanied by organ; songs 8 and 10 are arranged for tenor and bass voice parts, unaccompanied; and song 9 is arranged for soprano and alto voice parts, unaccompanied. The sheet music for songs 1-5 can also be found in this digital collection.

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  Salve Regina

  Giovanni Pergolesi

  Arrangement of Giovanni Battista Pergolesi's "Salve Regina" for solo voice, accompanied by two violins, viola, and harpischord.

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  Salve Regina

  P. Piel

  Hymn "Salve Regina" by P. Piel for two part choir with piano accompaniment. This song was removed from an unknown hymnal or magazine.

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  Salve Regina

  Fritz Volbach

  The second part of Fritz Volbach's Raphael suite, "Salve Regina" is arranged for a four-part female chorus (two soprano parts and two alto parts) with piano or organ accompaniment. The Raphael suite is a set of three pieces inspired by paintings of the Virgin Mary by the Renaissance artist Raphael: the Madonna of Foligno, the Madonna del Granduca, and the Sistine Madonna.

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  Sancta Maria

  Jean-Baptiste Faure and J. Bertrand

  French Marian hymn by Jean-Baptiste Faure with lyrics by J. Bertrand, dedicated to Marie-Henriette, Queen Consort of the Belgians. This edition is arranged for a solo soprano or tenor voice with piano accompaniment.

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  Seynora

  Eudalt Serra and Jacint Verdaguer

  "Seynora" (Our Lady of Mercy), composed by Father Eudalt Serra with lyrics by Jacint Verdaguer. Arranged for two voice parts with organ or harmonium accompaniment.

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  Sieroty Zebrane: Pieśń do Najświętszej Maryi Panny

  "Sieroty Zebrane: Pieśń do Najświętszej Maryi Panny," which loosely translates to "Gather Orphans: Song of the Blessed Virgin Mary," is an uncredited Polish hymn praying for Mary's intercession. This sheet music is for an unaccompanied voice.

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  Stabat Mater

  Giovanni da Palestrina and Alexandre Choron

  Arrangement of Giovanni Pierluigi da Palestrina's "Stabat Mater" for a double chorus of mixed voices (soprano, alto, tenor, and bass). The song was arranged by Alexandre Choron.

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  Stabat Mater

  Giovanni da Palestrina and Richard Wagner

  Arrangement of Giovanni Pierluigi da Palestrina's "Stabat Mater" for a double chorus of mixed voices (soprano, alto, tenor, and bass), with a German translation of the Latin lyrics. The song was arranged by Richard Wagner.

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  Stabat Mater

  Giovanni da Palestrina and Richard Wagner

  Arrangement of Giovanni Pierluigi da Palestrina's "Stabat Mater" for a double chorus of mixed voices (soprano, alto, tenor, and bass). The song was arranged by Richard Wagner.

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  Stabat Mater

  Peter Griesbacher

  Peter Griesbacher's opus 208, "Stabat Mater," arranged for solo voice with organ accompaniment.

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  Stabat Mater

  Giovanni Pergolesi

  Giovanni Battista's Pergolesi's "Stabat Mater," or the Sorrows of Mary, for a two-part women's chorus (soprano and alto parts) with piano accompaniment.

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  Stabat Mater

  Giovanni Pergolesi

  Giovanni Battista's Pergolesi's "Stabat Mater," or the Sorrows of Mary, for voice with unidentified accompaniment (likely for organ or piano).

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  Stabat Mater

  Giovanni Pergolesi and Richard Heuberger

  Giovanni Battista's Pergolesi's "Stabat Mater," or the Sorrows of Mary, for a two-part women's chorus (soprano and alto parts) with piano accompaniment.

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  Stabat Mater

  Josef Rheinberger and E.J. Bidermann

  Joseph Rheinberger's opus 138, a version of the "Stabat Mater" hymn for a four part chorus (soprano, alto, tenor, and bass) with organ accompaniment. This edition was arranged by Edward Julius Biedermann, with an English translation of the Latin lyrics.

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  Stella Cœli

  Joseph Renner

  Joseph Renner's opus 75, a version of the "Stella Coeli" hymn for a four part chorus (soprano, alto, tenor, and bass), unaccompanied.

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  Sur l'alma redemptoris: Paraphrase de l'antienne liturgique

  Charles Bordes and Pierre Lhande

  A French arrangement for solo voice of the Alma Redemptoris Mater, one of the Marian antiphons sung during night prayers (Compline). The music was composed by Charles Bordes and the lyrics were written by Pierre Lhande. Included as part of a supplement in the May 1911 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.

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  Sur le Regina Cœli: Paraphrase de l'antienne liturgique

  Charles Bordes and l'abbé Picard

  A French arrangement for solo voice of the Regina Cœli, one of the Marian antiphons sung during night prayers (Compline). The music was composed by Charles Bordes and the lyrics are based on a poem by l'abbé Picard. Included as part of a supplement in the May 1911 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.

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  Sur le Salve Regina: Paraphrase de l'antienne liturgique

  Charles Bordes and Pierre Lhande

  A French arrangement for solo voice of the Salve Regina, one of the Marian antiphons sung during night prayers (Compline). The music was composed by Charles Bordes and the lyrics were written by Pierre Lhande. Included as part of a supplement in the May 1911 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.

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  Te Souvient-il?

  Charles Collin

  A song from the "Souvenirs du Pensionnat Collection de Chants" by Charles Collin. A duet for two voices with piano accompaniment about a stormy night at sea where the Virgin Mary interceded for the protection of the sailors who prayed to her.