Submissions from 2023
The Brief but Shining Life of Paul Laurence Dunbar, a Poet Who Gave Dignity to the Black Experience, Minnita Daniel-Cox
Church Music Leaders in the USA: Prioritizing Technical Competence and Inclusion, Heather MacLachlan
Revolutionary Songs from Myanmar: Reconsidering Scholarly Perspectives on Protest Music, Heather MacLachlan
Submissions from 2022
Burmese Buddhist Monks, The Seventh Precept, and Cognitive Dissonance, Heather MacLachlan
Music and Incitement to Violence: Anti-Muslim Hate Music in Burma/Myanmar, Heather MacLachlan
Submissions from 2021
Introduction to Special Issue, Music in World Religions: A Response to Isabel Laack, Heather MacLachlan
"Jesus Is Not a Foreign God":Christian Music-Making in Burma/Myanmar, Heather MacLachlan
The Vocal Point: Honoring a Legacy: The Final Conversation with Arthur Woodley, Justin John Moniz and Minnita Daniel-Cox
Submissions from 2020
Ancient Mesopotamian Music, the Politics of Reconstruction, and Extreme Early Music, Samuel N. Dorf
Anthology to Accompany Gateways to Understanding Music, Samuel N. Dorf, Heather MacLachlan, and Julia Randel
Safeguarding Curricular Self-Experiences in Undergraduate Music Therapy Education and Training, James Hiller, Courtney Belt, Susan Gardstrom, and Joy Willenbrink-Conte
Singing Out: GALA Choruses and Social Change, Heather MacLachlan
Submissions from 2019
Music Therapists’ Preparation for Song Discussion: Meaning-Making With the Music, James Hiller
Supervision in the Field, James Hiller
Warning: Music Therapy Comes with Risks, James Hiller and Susan Gardstrom
Myanmar’s Pop Music Industry in Transition, Heather MacLachlan
Submissions from 2018
Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1930, Samuel N. Dorf
James Hiller: Autobiographical Account of My Evolution as a Music Therapist, James Hiller
The Selection of Music Experiences in Music Therapy, James Hiller and Susan Gardstrom
Submissions from 2017
Meeting Space: One on One with God, Donna M. Cox
Song Discussion as Music Psychotherapy, Susan Gardstrom and James Hiller
Submissions from 2016
Hezekiah Loves Music: A Sacred Adventure, Donna M. Cox
Ballets Suédois (1920–25), Samuel N. Dorf
Satie, Erik Alfred Leslie (1866–1925), Samuel N. Dorf
Resistances in Group Music Therapy with Women and Men with Substance Use Disorders, Susan Gardstrom and James Hiller
Women’s Perceptions of the Usefulness of Group Music Therapy in Addictions Recovery, Susan Gardstrom, Abigail Klemm, and Kathleen M. Murphy
Epistemological Foundations of Objectivist and Interpretivist Research, James Hiller
Epistemological Foundations of Objectivist and Interpretivist Research, James Hiller
(Mis)Representation of Burmese Metal Music in the Western Media, Heather MacLachlan
The Transnational Flow of Music from Burma to the United States, Heather MacLachlan
Submissions from 2015
Aesthetic Foundations of Music Therapy: Music and Emotion, James Hiller
Sincerity and Irony in the "Gay Music" of GALA Choruses, Heather MacLachlan
Submissions from 2014
A Review of 'Spaces of Solidarity: Karen Identity in the Thai-Burma Borderlands' by Rachel Sharples, Heather MacLachlan
Singing, Dancing, and Identity in the Karen Diaspora, Heather MacLachlan
Submissions from 2013
Adjudicated Adolescents, Susan Gardstrom
The Impact of Group Music Therapy on Negative Affect of People with Co-Occurring Substance Use Disorders and Mental Illnesses, Susan Gardstrom, Jacklyn Bartkowski, Joy Willenbrink, and Wiebke S. Diestelkamp
Women with Addictions: Music Therapy Clinical Postures and Interventions, Susan Gardstrom, Maria Carlini, Jessica Josefczyk, and Amy Love
Burma’s Pop Music Industry: Creators, Distributors, Censors, Heather MacLachlan
Submissions from 2012
Implications of Embodied Cognition and Schema Theory for Discerning Potential Meanings of Improvised Rhythm, James Hiller
Undergraduate Music Therapy Students’ Experiences as Clients in Short-Term Group Music Therapy, Nancy A. Jackson and Susan Gardstrom
Creating Pan-Karen Identity: The Wrist Tying Ceremony in the United States, Heather MacLachlan
The Effect of Pre-meal, Vocal Re-creative Music Therapy on Nutritional Intake of Residents with Alzheimer’s Disease and Related Dementias: A Pilot Study, Larisa McHugh, Susan Gardstrom, James Hiller, Megan Brewer, and Wiebke S. Diestelkamp
Music Therapy within the Context of Psychotherapeutic Models, Mary Scovel and Susan Gardstrom
Submissions from 2011
Art Songs and Spirituals by Contemporary African American Composers, Donna M. Cox and Kathy M. Bullock
Personal Therapy for Undergraduate Music Therapy Students: A Survey of AMTA Program Coordinators, Susan Gardstrom and Nancy A. Jackson
Teaching Traditional Music Theory with Popular Songs: Pitch Concepts, Heather MacLachlan
Submissions from 2010
Hezekiah Loves Music: Learning Rhythms the Food Way, Donna M. Cox
No Longer Afraid: Breaking Free from the Fear That Has You Bound, Donna M. Cox
Song Discussion as Music Psychotherapy, Susan Gardstrom and James Hiller
Submissions from 2009
Use of and Instruction in Clinical Improvisation, James Hiller
Submissions from 2008
Innovation in the Guise of Tradition: Music Among the Chin Population of Indianapolis, USA, Heather MacLachlan
The Greatest Rock Star Who Never Was: Garth Brooks, Chris Gaines, and Modern America, Heather MacLachlan
Submissions from 2007
Angels Encamped About Me: Provision in the Wilderness, Donna M. Cox
Music Therapy Improvisation for Groups: Essential Leadership Competencies, Susan Gardstrom
Submissions from 2006
The Don Dance: An Expression of Karen Nationalism, Heather MacLachlan
Submissions from 2004
An Investigation of Meaning in Clinical Music Improvisation with Troubled Adolescents, Susan Gardstrom
